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After The Cinema” is my first proper AI short film. Unlike my earlier experiments, this project was fully scripted with a much more structured workflow to really explore what AI video generation could do alongside my own filmmaking background.

I was experimenting in Nano Banana, trying to create a cinematic image of a Samurai with a very specific mood and visual texture. You know that look often used in modern films and series? Muted colors, slightly denatured tones, naturalistic lighting, melancholic atmosphere… I’ve seen it for years but never knew there was an actual term for it. So I started breaking the visuals down into technical details, mood, lighting, texture, atmosphere, color behavior, and somehow the ve

I’ve been thinking about this a lot lately—what AI filmmaking actually means to me. Honestly, I see it the same way I see any other tool in filmmaking. The difference is, this one doesn’t come with the usual weight of expensive gear or a full crew behind it. For someone like me, that matters. Most of the films on my channel were funded out of my own pocket. I did it because I love filmmaking—simple as that. But over time, it gets harder to keep going. It slowly turns from pas

Here’s my thought process behind making Just Another Day—an AI-generated ad that cost me less than RM100 to produce, including all the unused and failed shots along the way. I made “Just Another Day” almost entirely inside a desktop window using Google Flow—no set, no crew, no traditional production pipeline. Just ideas, stitched together digitally. And for the first time, I wasn’t thinking about what I couldn’t afford to shoot. I’ve funded most of my short films myself, whic