While an absence - that of a certain Ah Beng - hovers over the set of human configurations of a small Chinese gang - this one declines its antagonisms and individualities with a complete absence of dialogue ... it is thus That one could sum up Ah Beng Returns , the second film of James Lee, singular Malaysian director to which the 9th Asian Film Festival of Deauville dedicated a tribute. Ah Beng Returns, an experimental work realized in DV camera, is a complex puzzle narrative that draws its interest and its richness in the intelligence - perhaps too assertive - of the staging of its individualities.
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