In homage of Chris Marker’s La Jetée (1962), Director James Lee uses a series of still frames to tell the story of a time traveler going...

Raymond is a hopeless romantic, whose good guy persona has seen him taken advantage of, time and time again. However, his luck appears to...

Filled with plenty of high-quality and impressive works throughout the year, Asian countries produced a sparkling amount of Horror...

The success of American independent producer Roger Corman can be attributed to a variety of measures, mostly through the usual of...

An interesting and twisted story of Teoh who bought this used washing machine from the electrical store which has changed his life, and...

Some things never leave you. A secret. A sister. A shattered childhood. These conjure the goosebumps when watching Two Sisters. The...

Not a review of the Korean film, Adi Iskandar finds that James Lee’s ‘Two Sisters’ latest effort hits all the right spots all the same....

Lee writes and directs, as well as executive produces with Pang for a story that palpitates moreso in its psychological fervor than...

Here's episode 84 of The Fat Bidin Film Club where they review our latest micro-budget zombie flick KL24: Zombies. For more reviews and...

A fitting usage of the universal language of zombies as a vehicle for a uniquely Malaysian social commentary. Slightly campy in its...

I have been going to Malaysian Shorts — on and off — for nearly 12 years now. The programme last week at Black Box, Publika was probably...

Floating Sun (幻日, 2013) is a bit of a departure for Tokyo-based Malaysian director Edmund Yeo into the horror genre. This short film is...

KUALA LUMPUR, Aug 17 — A good storyteller and a ghost story are a match as satisfying as wine and cheese, coffee and chocolate, pulut and...

When I told a friend I was going to watch a Chinese dance group address the issue of urban angst on Saturday night, he said, “But don’t...

"Let me see you stripped Down to the bone" - Depeche Mode After the success in Malaise by his previous production, Histeria, a horror...

James Lee has finally come of age, and with him, independent Malaysian film (or more accurately, digital video). A lanky, laconic figure...

James Lee's latest, Call if You Need Me reminds us that he can make solid films, even genre films, when relaxed of any commercial...

It's an open secret that James Lee gets a lot of love from the Singapore International Film Festival, having almost all, if not all I...

A husband long thought dead returns to his remarried wife in “Breathing in Mud,” a well-scripted urban meller by busy Malaysian helmer...

Here's a typical James Lee romantic drama, with the usual dryly intertwining, secretly crossed-up relationships of his Love...